Release, after release, after release, Limited Frequencies has been hard at work in recent times, dropping seven individual tracks in less than two weeks. Having diversity and continuity in your work is essential as a music artist and the Egyptian producer has both of these qualities, with his work largely falling in the camps of ambient and electro.
'Prosopagnosia and ‘They Even Vouch For Me in Hell’ are perfect examples of his ability to craft cinematic ambient pieces, his use of violin giving both an intangible sense of hope and positivity.It’s not all sunshine and rainbows, though, as ‘10,000 Stab’ shows. The track brings out the producer’s darker side, even within the scope of ambient.
Rough-sounding synths, stabs of noise and a general irregularity to the combination of sounds take listeners to a completely different realm than ‘Prosopagnosia’ and ‘They Even Vouch For Me in Hell’.
He’s just as handy with his electro work, with the likes of ‘Those Who Serve’ and ‘SIGHT’ boasting the kind of jiggly drums, hard-knocking bass lines and rough but low-toned melodies that are ready-made for the dancefloor.One listen through all of these tracks can only bring you to one conclusion: that even in the depths of Cairo’s underground scene, amidst the noise that crowds SoundCloud and social media platforms, there exists a diamond in the rough, a producer whose handle of his own musicality can only bring good things moving forwards.
