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Reviews

Tunisian Producer Deena Abdelwahed Returns with Disruptive Dance EP 'Dhakar'

Filled to brim with shameless breaks and rhythmic gnawa

Palestinian +970's "Red Light" Is an Experimental-Industrial Marvel

Les Dunes Electroniques Hosted Us for Their Hard-To-Beat Third Edition on Tunisia's Star Wars Set

Kafr El-Dauwar Records Set in Motion A New Wave of Shaa'bi With Ibrahim X's Debut LP 'Ya Khal'

Mostakell Records' Latest Release 'Aghene Servicet' is Absurd, Theatrical & Downright Political

Carl Gari & Abdullah Miniawy's 'The Act of Falling from the 8th Floor': A Meditative Dive into Suspended Consciousness

"Swim The Tide": Lazzy Lung raises the tide of Middle Eastern indie folk-rock music

Review: Abosahar's Long-Awaited LP 'The Caveman' Gives Shaabi a New Dimension

Felukah Outlines Her Recollections of Cairo on Latest LP 'Citadel'

Review: PanSTARRS' Eponymous New LP Pays An Egyptian Ode To Grunge

Review: Ritza Re-emerge With Their Debut EP ‘Shoofi’

Review: Jowan Safadi’s Stay Away From the Mid-Evil East and Sing For It

Review: Moroccan Producer Kosh Drops New EP on Casa Voyager

Lebanese Producer ETYEN Releases New Bebe EP on Brazil’s Not Another

Review: Long Island Sound's BF005 on Bobby Analog's Imprint Body Fusion

The Colossal Proportions of Maurice Louca's 'Elephantine'

Swiss-Lebanese Duo PRAED Whip Up Raucous, Acid Jazz Infused Electro-Chaabi on "Doomsday Survival Kit"

Review: Traumer & DJ Deep's Hypnotic Remix EP of Carl Craig's 'Repeat After Me'

Egyptian Six-String Bass Maestro Ahmed Nazmi Explores the Limits of his Instrument on 'Shams'

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