German-Yemeni duo 'Kabreet' - made up of producer Hanno Stecher and singer-songwriter Ibi Ibrahim - explores a nuanced intersection of 1970s German pop and contemporary sounds in their new two-track EP, 'Zu Müde / Awhamy'. With a blend of subdued synth arrangements and introspective vocals, the EP pays tribute to the era of 'Schlager', reinterpreting its reflective qualities through a modern lens.
The first track, 'Zu Müde’, is a cover of a piece by the iconic German singer Hildegard Knef. Known for her introspective style, Knef's original resonates well with Kabreet's approach, which retains the essence of the song while introducing a minimalist, synth-based arrangement. Stecher's production is understated, allowing Ibrahim’s vocal delivery to take centre stage. The lyrics delve into themes of loneliness and avoidance, providing a grounded and contemplative exploration of weariness and disconnection.
In 'Awhamy’, inspired by Alexandra’s song ‘Illusionen’, Kabreet captures the introspective quality of the original while allowing for personal interpretation. The song’s lyrics consider life inside one’s own thoughts, with Ibrahim’s serene delivery paired with gentle, ambient synths that evoke a calm, reflective space. This track, like ‘Zu Müde’, approaches its themes with subtlety, using poetic language to touch on introspective ideas without overstatement.
Together, ‘Zu Müde / Awhamy' is a respectful nod to the simplicity and reflective depth of 70s German pop. Kabreet’s approach brings these timeless qualities forward in a way that feels both authentic and relevant.
